Cal Newport’s workingmemory.txt idea. I like this. When I’m working at my day job, I keep a todo.md file on my laptop that I dump tasks into (basically a workingmemory.txt), and a log.md file where I journal my way through things I’m working on. Together, those files make it relatively easy for me to offload state and pick things up again after interruptions. (Along with other benefits like rubberducking.)
Vicky Osterweil on Dune 2 and image without metaphor. “We are living through an era of thudding cultural literalism. In our narrative products (movies, TV and to a lesser but noticeable extent, novels) that has meant that instead of story we get plot, premise and lore, dialogue is replaced by exposition, emotion evoked only by music cue and cliche. The characters are structural objects of the plot, pure reflections of their social and narrative positioning, stripped of messy contradiction or conflictual desires. Whenever an artist even introduces any kind of metaphor they make sure to explain it tidily and neatly by the end, like a kid elbowing you in the ribs going ‘did you get it did you get it?’, meaning the best we can hope for is parable or fable.” I haven’t seen the film yet but plan to, literal though it may be.
Michael Pohoreski’s nanofont3x4. Fun to see innovation like this, even if it’s not always fully pragmatic. And this is a bit more readable than I expected, given the tiny size.
Caleb Hearon’s Dropflow, “a CSS layout engine created to explore the reaches of the foundational CSS standards (that is: inlines, blocks, floats, positioning and eventually tables, but not flexbox or grid).” Looking forward to seeing where this goes.
Just added a Doctrinal Mastery index for my religious art, going off the Church’s list. (Thanks to Bryan for the nudge.) Coverage is currently spotty, but going forward I’ll be working on that where I can.
A Brief Account of the Destruction of the Indies, by Bartolomé de las Casas (1552). Essentially a catalog of the awful horrors the Spaniards inflicted on Native Americans, some witnessed firsthand and others related secondhand to las Casas by priests in other provinces. Brutal and bleak, but I’m glad I read it.
Agent Zigzag, by Ben Macintyre (2007). A history of Edward Chapman, a double agent for Britain and Germany during WWII. My main takeaway, as is always the case when I read books about espionage: I am so not cut out to be a spy. Anyway, this book was interesting enough but felt like it lacked a bit of pop and zing, which I apparently crave when reading spy history. Still worth reading, though. I have most of the rest of Macintyre’s books and plan to read them.
Fiction
I Capture the Castle, by Dodie Smith (1948, general fiction). Absolutely delightful. Loved it. The voice is so good and the book is funny and charming and I just really, really liked it. More books like this, please. (Recommendations very welcome.)
The Heroes, by Joe Abercrombie (2011, fantasy), second of the First Law standalones. Dang, that man can write. It’s an extremely violent, visceral, and fairly earthy book, so there’s your strong caveat, but aside from all that I really, really liked it. (Quite a bit more than I liked Best Served Cold, by the way.) It’s a very well crafted novel, in my view — surprising plot twists, characters doing interesting and unexpected things (while staying in character), compelling voices (with zing! with pop!), and wry, funny prose with hardly a sentence out of place. The POV hopping during the first part of the battle was quite effective, too. Also, war: awful.
Diana Kimball Berlin on no more forever projects. This. The forever projects I’ve done (thinking primarily of Mormon Artist and Mormon Texts Project) were fun, but I don’t think I’m made for that type of work. The closure from one-offs feels better to my brain.
Jim Nielsen on AI being like a lossy JPEG. “It follows that, as Paul notes, you end up with not only a tool whose output is akin to the lossy, visual artifacts of a JPEG, but a tool whose output introduces into the world the cognitive and social equivalent of those big blocky compression artifacts of a JPEG.”
Roger Pimentel on grace. This is good. “These explanations also invite another interpretation of this verse, which does speak to the undeserved, unmerited definition of grace that we find in other faiths. If we are, in fact, saved despite all we can do, that means all we can do, good or bad. This is a little bit counterintuitive, because we think of grace being a reward for those who do good works. But in addition to being saved despite our good works, it also means we are saved despite our constant mistakes, our frequent failing to love God and our neighbor, and our seeming inability to change for the better. Despite all we can do to stop it, grace still flows to us.”
Jim Nielsen on following links on the web. “Discovering things via links is way more fun than most algorithmically-driven discovery — in my humble opinion.” Yep!
Rebecca Toh on reading people’s blogs. “I feel connected by our common humanity. We’ll never meet, but I can picture them sitting on their sofa writing on their laptop or using the computer in their kitchen, writing when the kids are asleep, writing in the morning, writing when the first snowfall arrives, writing about their new job, about losing their job, about moving to a new city, about this film they just watched, about their husband who died a few years ago. A blog is a small and beautiful thing and I am grateful it exists.” Love this.
David Epstein’s interview with Cal Newport about slow productivity. This was good and has been in my thoughts the past few days. For me, the part that stuck out most was the idea of obsessing over quality. I often default to more of a utilitarian “get it out the door, it’s good enough” mode, which is often fine, but I like the idea of slowing down and spending time obsessing over quality.
Elie Mystal on how the Supreme Court is antidemocratic. “The Supreme Court must be made to pay a price—a political, institutional, professional price—for its ongoing political thuggery lightly disguised as jurisprudence. Its members will never stop acting like the only nine Americans who matter until we stop them from doing that. And the only way to stop them is to limit their power, their budgets, and their unearned belief in their own supremacy.” I’m no SCOTUS expert, but I agree. The current state is not ideal.
James on how blogging, as a format, encourages incomplete stories. I like this idea. Messy, WIP, thinking in public, iteration. To me, that’s more interesting than only publishing pristine, polished perfection. (Apologies for the alliteration.) (Oh snap, I did it again. In spite of the foregoing sentences, I usually try to avoid using consonance and alliteration.)
Matt Webb’s Galactic Compass app. I finally installed this and have used it a couple times, which has been fun. I love how it takes something ordinarily invisible (at least during the day and in the city) and makes it accessible. For example, I hadn’t ever thought about how it changes over the course of the day. Obvious in hindsight, sure, but now I have a better, more grounded sense of the earth’s rotation than I did before.
In writing my /uses page, I realized it’s been a little while since I last showed what my Bookshelf app looks like. Time for an update. (What is Bookshelf, you ask? A web app I wrote to track my reading.)
Here’s the current state, and note that I took this screenshot last night, so the monthly stats are for February:
I forgot to mention this back in 2020, but the app started in late 2011 as Bookkeeper. A few years later I rewrote it in Python (Django) and renamed it (because o-o k-k e-e). I’m pretty happy with its current incarnation and use it every day except Sundays. My brain likes those stats. It really does. I’m sure I’d still read a lot even without them, but boy, the stats certainly motivate me to spend more time reading. (Well, some days more than others.)
Notes:
Top left is monthly stats (genre breakdown, pages read, books read this month to date, average pages per day, and how far into the month we are).
Top right is yearly stats.
The bar chart tracks how many pages I’ve read over the past couple weeks, with each color representing a different genre (red is nonfiction, green is fantasy, blue is science fiction, brown is general fiction, etc.). The page count gets brighter the closer I get to my goal of 100 pages per day. And yes, the dashed gray dividers are one pixel off. I need to fix that.
For each book, I have some metadata under the title and author: percentage completed, number of pages I’ve read so far (included because in ebook land most books don’t start on page 1), number of days I’ve been reading the book, how many days are left at my current rate, how many pages per day I’m averaging so far, how many pages I’ve read today (this is used as my current rate if it’s greater than my average pages per day, and this is red if it’s lower than my average pages per day, as motivation to maintain my rate for each book), and how many pages are left.
The part at the right of each book row is the current page and how long it’s been since I last read that book (which also affects the background color). I tap the page number to enter whatever page I’m on. If it’s a book in Libby, by the way, I tag the book that way when adding it and it’ll adjust how it counts the pages (it takes around three Libby screens to get to a page the way I’m counting it).
The very faint ellipsis button in the lower right opens a menu with links to add books, search, see previous reads, and see stats for previous years.
